
'Breaking Bad's secret visual storytelling tricks you never noticed
What's the story
Breaking Bad is famous for its complex storytelling and memorable characters. However, one of the most interesting things about the series is its hidden visual storytelling techniques. These subtly enhance the narrative, giving it depth and insight without being overtly expository. By looking at these techniques, the viewers can appreciate a little more about how visual elements add to the show's success.
#1
Color symbolism in 'Breaking Bad'
Color is a big deal in Breaking Bad, with every character typically linked to certain colors that represent their headspace or moral compass. For example, Walter White is mostly seen in green, a representation of the greed and ambition that drive him. As the characters change, so do their colors, giving viewers a visual representation of their transformation and inner demons.
#2
Strategic use of camera angles
The series also uses clever camera angles to show power dynamics and emotional tension between characters. Low-angle shots are used to show dominance or intimidation, while high-angle shots convey vulnerability or weakness. This technique allows viewers to subconsciously understand the underlying tensions in a scene without any dialogue.
#3
Meticulous set design details
The set design in Breaking Bad is so meticulously crafted that it reflects character arcs and themes perfectly. Take Walter White's home, for instance, which goes from a warm family space into a cold, sterile environment, mirroring his descent into criminality. Small details like cluttered spaces or pristine settings give us context about characters' mental states and relationships.
#4
Symbolic use of objects
Objects in scenes frequently bear symbolic weight that elevates storytelling in Breaking Bad. Stuff like the pink teddy bear functions as a recurring motifs that foreshadow events or represent guilt and loss. These objects are meticulously positioned in scenes to add narrative layers without being overtly explanatory.