'The Great Wall' debuts in China
"The Great Wall" is a $150 million historical fantasy that has been co-produced by American and Chinese companies. The movie debuted in China yesterday and is eagerly being watched by Hollywood bigwigs to see how well it is received by the Chinese audience. Several production companies are keen on planning other US-Sino projects and see "The Great Wall" as the litmus test.
Chinese box office
The Chinese box office has grown by leaps and bounds: it grew sixty-fold from 2003 to 2015, when its revenue hit $7 billion. By 2019, it's expected to be the biggest in the world and it is a huge market for Hollywood movies.
Filming 'The Great Wall'
'The Great Wall', which combines concepts and casts from America and China, is reportedly the most expensive movie ever to be shot exclusively in China. Making of the movie however ran into several hurdles: filming in polluted Beijing to stark differences in on-set safety requirements in China as compared to the US and lobbying with China's state censors was part of the initial struggle.
'The Great Wall' debuts in China
"The Great Wall" is a $150 million historical fantasy that has been co-produced by American and Chinese companies. The movie debuted in China yesterday and is eagerly being watched by Hollywood bigwigs to see how well it is received by the Chinese audience. Several production companies are keen on planning other US-Sino projects and see "The Great Wall" as the litmus test.
Lukewarm reaction to American protagonist
The movie stars Matt Damon as a mercenary joining hands with Chinese soldiers to fight an army of monsters. Many were dismayed with his "white savior" narrative in a Chinese movie. Chinese-American actress Constance Wu said "Our heroes don't look like Matt Damon."
Prospects of 'The Great Wall'
"The Great Wall" is expected to do well in China, but box-office analysts aren't keeping their hopes up for its chances in the US. A producer currently working on a US-Sino co-production said, "I need this movie to succeed." Producer, Peter Loehr said, "I don't know if middle America or Europe or markets around the world will embrace this film. Ultimately the audience decides."
