
Damien Chazelle: The director who masters film tempo
What's the story
Damien Chazelle has made his name in Hollywood, and his secret, perhaps, is his unique ability to master the tempo in films. Chazelle's work often has a rhythmic precision that captivates and keeps the audience engaged from the very first frame to the last. By focusing on the interplay between music and narrative, Chazelle crafts visually and aurally compelling cinematic experiences. Here's how he does it.
#1
The role of music in 'Whiplash'
In Whiplash, music takes center stage in setting the film's tempo. The gripping drumming sequences are not merely the background but a part of the narrative's very structure. These moments build tension and urgency, reflecting the protagonist's own battle for perfection. By weaving musical beats with character growth, Chazelle makes sure that viewers stay on the edge of their seats throughout.
#2
Visual rhythm in 'La La Land'
La La Land also highlights Chazelle's expertise in visual rhythm to elevate storytelling. The film uses long takes and choreographed dance sequences that flow effortlessly with the musical score. The result is a beautiful amalgamation of sight and sound, letting audiences take an emotional journey with the characters. The visual rhythm acts as a narrative device, taking viewers through joy, conflict, and resolution.
#3
Editing techniques in 'First Man'
In First Man, editing techniques are crucial in maintaining tempo. Quick cuts during intense scenes are contrasted with slower-paced moments, mirroring the protagonist's emotional state and mission challenges. By manipulating pacing through editing choices, Chazelle effectively conveys the tension without relying solely on dialogue or action sequences.
#4
Collaboration with composers
Chazelle's work with composers is integral to getting the tempo down across his films. By collaborating closely with musicians, he's able to include scores that sync perfectly with the mood of the scene. This collaboration makes sure the music is elevating, not overpowering, the narratives while keeping the pace uniform in every project he takes on.